Loading video...
Virtual Set Solution for Good TV, Taiwan
GOOD TV – Taiwan, broadcasts its programs, using the WASP3D Virtual Set Solution. They are using an HD virtual set with data-driven AR graphics along with video window simulation & a virtual video wall.
GOOD TV, one of Taiwan’s most recognized broadcasters, took a major step forward in modernizing its production environment by adopting the WASP3D Virtual Set Solution. With this implementation, GOOD TV has successfully transitioned to a high-definition (HD) virtual studio setup that integrates data-driven AR graphics, video window simulation, and a virtual video wall — redefining the way the channel produces and presents its programs.
In a competitive broadcasting landscape where visual appeal and production efficiency go hand in hand, GOOD TV sought a solution that could deliver both flexibility and innovation. The goal was to move beyond static sets and traditional compositing, and instead, create a dynamic visual environment that could adapt to different program formats, themes, and storytelling needs — all while maintaining broadcast-level quality and precision.
The WASP3D Virtual Set Solution provided exactly that. It offered GOOD TV a fully immersive HD virtual environment, capable of replacing physical sets with computer-generated, photorealistic 3D backgrounds. This not only reduced the dependency on large physical studios but also opened new creative possibilities for program design and presentation. Anchors and hosts could now appear within vibrant, customizable virtual spaces that aligned perfectly with the channel’s programming style.
One of the highlights of the setup was the integration of data-driven AR graphics within the virtual set. These graphics were linked directly to live data sources, enabling real-time visualization of dynamic information such as statistics, charts, or live feeds during a broadcast. This allowed GOOD TV’s production team to bring facts and figures to life, making the content more interactive and informative for viewers. The AR graphics appeared naturally within the virtual environment — complementing the anchor’s presentation and adding depth to the storytelling process.
In addition to AR integration, the channel made innovative use of video window simulation. This feature allowed live or recorded video feeds to appear as virtual screens within the 3D environment, giving the illusion of multiple display windows on set. This proved particularly useful for interviews, remote connections, and multi-source discussions, as presenters could interact naturally with virtual screens as if they were part of the physical studio.
Completing the setup was a virtual video wall, which became a striking visual centerpiece in many of GOOD TV’s programs. The video wall could display dynamic visuals such as program intros, live feeds, or background imagery, adding motion and realism to the broadcast. It also provided the production team with a flexible design tool — easily updated between programs without requiring physical reconfiguration of the set.
The adoption of WASP3D’s Virtual Set Solution transformed GOOD TV’s broadcast operations by combining creativity, cost efficiency, and technological innovation. With this system, the network could produce more visually compelling programs within shorter turnaround times, while also maintaining a consistent and professional on-air look.
In conclusion, the collaboration between GOOD TV and WASP3D exemplifies how virtual production technology can reshape modern broadcasting. Through the integration of HD virtual sets, data-driven AR graphics, video window simulation, and a virtual video wall, GOOD TV successfully enhanced both the aesthetics and functionality of its programs. This move not only streamlined production but also elevated the viewer experience — showcasing the future of television presentation powered by virtual technology.